And with some additional useful features that allow users to screen footage, apply LUTs, edit metadata, and more, it'll fit in with your video toolset with incredible ease.ĮditReady was built with unprecedented attention to modern (i.e. This limits EditReady's place in your arsenal of video processing and editing tools – it likely won't have you dumping any of your current utilities altogether – but the fact that it does its job so effectively means that you will never have any reason *not* to use EditReady in your workflow. There is no dancing around the point: drop in your media, transcode, move on. Its goal is to get your footage ready for the rest of the editing process as quickly as modern technology allows, and it has surprisingly met this goal.ĮditReady's interface is a wonderful case study in form closely following function. The proliferation of cameras shooting QuickTime movies means that more footage is being shot with greater ease, but it's not footage that feeds directly into the editing process, so it takes some prep work. And EditReady is designed with the future in mind - it’s ready to adopt new formats and workflows.ĮditReady is a professional-grade video transcoder that launches you from Production to Post Production as fast as possible. It leverages hardware accelerated video decoding, OpenCL image processing, and every CPU cycle your system has to spare. Modern, Blazing Fast, Ready for the Future - EditReady is designed to take advantage of all of the power available on modern Macs.You can even use metadata to generate filenames for your transcoded files. Manually add location data if your camera didn’t store it, or set a reel name for all of your files. Modern cameras store GPS data, lens settings, diagnostic data, and more. Smart Metadata Editing - EditReady provides a rich metadata viewer and editor.EditReady also allows you to override the framerate on your converted files, for pristine slow-motion with your 60p or 120p footage. You can apply LUTs to your video during conversion to set a specific look or convert your Log footage into Linear.
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More than just transcoding - In addition to transcoding to professional formats like ProRes, DNxHD, and H.264, EditReady makes it easy to prep your footage for screening and editing.
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MOV, MP4 and MXF media can all be quickly converted to edit ready quicktime movies in ProRes or DNxHD. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata.EditReady provides easy, fast and powerful transcoding for video professionals, without an overwhelming interface or outdated format choices. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs.
The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information.
Every codec gets transcoded as its makers intended it to.
No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes.
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